Meisel’s Mixed Metaphors

If Frida Kahlo was a Victorian Goth, Flamenco-dancing gypsy, who lived in a surreal painting in India, this is what she would wear.

Mr. Meisel – just when I was starting to yawn, you took me to a dreamy state.

I know these might be disturbing to some – and portray images of women as blah, blah, blah… To me, they are like paintings…surreal, fantastical paintings – and they become a visual study of form and space.

Stella Tennant for Vogue Italia Sept 2011 by Steven Meisel on exshoesme.com
Stella Lugosi? Oh. Stell. Ah.
Stella Tennant for Vogue Italia Sept 2011 by Steven Meisel on exshoesme.com 2
Haunted - when the minutes drag.
Stella Tennant for Vogue Italia Sept 2011 by Steven Meisel on exshoesme.com 3
Sarvangasana Stella.
Stella Tennant for Vogue Italia Sept 2011 by Steven Meisel on exshoesme.com 4
Ethel Granger meets Anna Dello Russo meets Dita Von Teese.
Stella Tennant for Vogue Italia Sept 2011 by Steven Meisel on exshoesme.com 5
Echoing Granger's record-breaking (likely back-breaking) and heart-breaking, 13-inch waist.
Ethel Granger on exshoesme.com
Waist not, want not. The woman in the Guinness Book of World Records, who had the world's smallest waist - Ethel Granger.
Stella Tennant for Vogue Italia Sept 2011 by Steven Meisel on exshoesme.com 6
A wife for Shelley's Frankenstein?

Meisel’s shoot was inspired by Granger, but I saw many mixed metaphors here.

Like Frankenstein’s monster, this too, is a piecing together of odd parts for a mad result, with the modern, monstrous mode being concocted with digital tools.

I don’t take each photograph in a magazine literally. Vogue Italia has always crossed a line – but I think they do so to provoke, to evoke, to start conversations – and to present fashion as art form.

The debate goes on…

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